Baaram 

“Baaram” is a film from 2018 that focuses on a theme not commonly addressed in mainstream cinema. By choosing to depict a distinct narrative, the movie opens doors for viewers to engage in deeper thought and discussion on its subject matter.

Plot Summary

Set in the backdrop of a rural landscape, “Baaram” brings forth the cultural practice of Thalaikoothal, a clandestine tradition of involuntary euthanasia for the elderly. The movie follows Karuppasamy, an elderly man who, after a fall, discovers he has a debilitating leg injury. This ailment confines him to his bed, placing him at the mercy of his family’s care.

As Karuppasamy grapples with his new reality, his family is faced with a challenging decision. On one hand, there’s the humane approach of offering continued care and support. On the other, there’s the weight of tradition and the temptation to resort to Thalaikoothal, given the financial and emotional burden of caring for an ailing elderly member. The practice, rooted in the rationale of ending suffering for the aged, brings with it a host of moral dilemmas.

The narrative delves into the complexities that the family encounters. Individual perspectives of family members provide a multi-faceted view on Thalaikoothal, making it evident that the decision isn’t black and white. Each character is deeply affected by Karuppasamy’s situation, and the movie masterfully unfolds how societal norms can sometimes overshadow personal judgments and emotions. As the story progresses, viewers are taken on an emotional rollercoaster, witnessing the challenges of holding onto humanity amidst age-old traditions.

Production

The film “Baaram” was directed and written by Priya Krishnaswamy. Apart from donning the director’s hat, Krishnaswamy also took up the responsibilities of writing and editing, which indicates her deep involvement and commitment to the project. Co-producing the film alongside her was Ardra Swaroop, further strengthening the movie’s foundation. 

The cinematic visuals that helped narrate this touching tale were crafted by the cinematographer, Jayanth Sethu Mathavan. His vision, combined with the storytelling prowess of Krishnaswamy, added depth to the narrative. The entire production was brought to life under the banner of Reckless Roses.

Conclusion

“Baaram” underscores the ability of cinema to delve into societal topics. It offers viewers a story that may lead to contemplation and discussion on prevalent customs. By focusing on a lesser-discussed topic, “Baaram” shows that films can serve as platforms for dialogue and introspection, nudging audiences to reflect on age-old practices and their implications in contemporary times.

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